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Eventually (after the incident with Adam's brother Ian) Samus couldn't take it anymore and struck out on her own as a bounty hunter.

Implying that while young Samus loved and admired Adam and her fellow soldiers, the way they condescended to her stuck in her craw. There's a line that in Japanese was something like 'I didn't hate Adam for making me feel weak' and in English was like 'I was fond of the way Adam would call me something delicate'. Federation Army Samus is much more of a petulant child, and she doesn't crush on Adam so much as view him as a surrogate father.

The upshot is, while it doesn't make Other M a great Metroid game or even a great game, the original Japanese hits way, way different. Recently I also saw a video about Other M: I've been on a Metroid kick lately, still working my way through Dread which is excellent. I haven’t finished it yet, but it feels like it’s taken the best parts of the best 2D Metroids, current gaming sensibilities and expectations, modern hardware capabilities, and rolled them into a great game. The EMMIs are smart and deadly, and they have killed me dozens of times, but it never feels unfair like the SA-X did. Zero Mission was “the original Metroid game, remastered with modern features and new content.” As a huge Super Metroid fan, it was exactly what I had desired when I bought Fusion.ĭread takes the “unbeatable adversary” mechanic from Fusion and greatly improves upon it. It was also more linear from what I saw, with seemingly arbitrary access restrictions instead of solid level design, but I never finished it so I cannot say for sure. The SA-X scenes were uncompromising and required memorization to get through. It felt slow and clunky compared to Super Metroid. I’m glad you said 2004, when Zero Mission came out, instead of 2002, when Fusion was released.įusion is the previous game in the mainline Metroid series, but…I never liked it. (I assume some people have exactly the opposite reaction, pining for the days when games were merciless)īasically, our gaming sensibilities have evolved (or devolved) as the medium has grown over time. Replaying games like Megaman II and Ninga Gaiden on emulators, I now get a visceral distaste for the overwhelming difficult however, back when I played them as a kid, it was just the way games were, and I would routinely finish these games in the 2-day rental period allotted. However, it also stems from the arcade legacy, where game plays were challenging and short, with very little handholding from the game design (i.e., throwing you in the deep end) Much of it had to do with the technical limitations of the systems, which often led to requiring pixel-perfect accuracy to avoid hitboxes. 2, if not 3, of the examples you provided are generally considered amongst the most difficult NES games, and in fact led to the trope of 'Nintendo Hard'

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